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Many essays dwell on her award-winning novels or on environment and nature-related concerns overarching from her stories to her novels, studying her writing in the light of naturalism, postmodernism, and neo-regionalism. Indeed, the of grotesque freaks, monsters, hybrid creatures, devils, and demons sometimes acts as a reminder of the fictional quality of these self-conscious short tales, which, although contemporary, also draw on a long tradition of North American story-telling, often adding a rather destabilizing, caustic sense of humor.

With the uncanny, however, impossible events eventually find a rational explanation which in the end undermines the preternatural.

With the fantastic, the reader is left to hesitate between a rational and an irrational interpretation of impossible events, and the text does not clearly support one or the other. This hesitation is precisely what Amaryll Chanady establishes as the main distinguishing characteristic between magical realism and the fantastic.

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According to Chanady, the fantastic encodes hesitation into the narrative and thus foregrounds the problematical nature of the supernatural, in conflict with realism. On the contrary, Chanady insists, the magical realist text presents the paradox at the heart of this oxymoronic mode as unproblematic:.

Singles in Wyoming, USA

While the implied author is educated according to our conventional norms of reason and logic, and can therefore recognize the supernatural as contrary to the laws of nature, he tries to accept the world view of a culture in order to describe it. He abolishes the antinomy between the natural and the supernatural on the level of textual representation, and the reader, who recognizes the two conflicting logical codes on the semantic level, suspends his judgment of what is rational and what is irrational in the fictitious world.

I will first tackle some of the local color elements and realistic effects that lend the collections an air of authenticity, as might be found in regional memoirs and histories.

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I visit graveyards, collapsing cotton gins, photograph barns and houses, roadways. I listen to ordinary people speaking with one another in bars and stores, in laundromats.

Singles in Wyoming, USA

I read bulletin boards, scraps of paper I pick up from the ground. The Missouri Review 4.

Singles in Wyoming, USA

My fiction reflects this attraction. When asked about the somber outlook one finds in her rather morbid, tragic stories, Annie Proulx again relies on an assertion of realism:.

Singles in Wyoming, USA

America is a violent, gun-handling country. Americans feed on a steady diet of bloody movies, televisions programs, murder mysteries. Road rage, highway killings, beatings and murder of those who are different abound.

Singles in Wyoming, USA

The point of writing in layers of bitter deaths and misadventures that befall characters is to illustrate American violence, which is real, deep, and vast. The Missouri Review 8.

Singles in Wyoming, USA

Their ranching, farming, rodeoing and other daily activities are also ed for with much detail. Moreover, many of her stories are explicitly anchored in the history of the United States, and abound with references to background historical events and to real places. Now a terrific, sputtering ball of fire bloomed on the ledge throwing glare on the dusty cowboy gear.

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It was still raining. You could hear the fireball roaring and a coat of soot in the shape of a cone and peck-speckled with rain was building up on the glass. There was a sound like a shot and the glass cracked from top to bottom.

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Justin said later it was a shot, not the heat. It was the heat. I know a shot when I hear one. Close Range As the mysterious origin of the fireball is left unsolved by the narrator, this passage may draw on the great of actual reports of ball lightning throughout history.

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You stand there, braced. Cloud shadows race over the buff rock stacks as a projected film, casting a queasy, mottled ground rash.

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The air hisses and it is no local breeze but the great harsh sweep of wind from the turning of the earth. The wild country—indigo jags of mountain, grassy plain everlasting, tumbled stones like fallen cities, the flaring roll of sky—provokes a spiritual shudder. It is like a deep note that cannot be heard but is felt, it is like a claw in the gut. The wind set its teeth into the heavy log house and shook it with terrific gusts.

A hawk hid under the potentilla bush and leaped suddenly on an over-confident prairie dog a little too far from its burrow.

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In Antler Spring […] a young woman expecting her first child was widowed when her husband, fighting summer wildfires in Colorado, was killed by a Pulaski tool that fell from a helicopter. Vacationers locked themselves out of their cars and were struck by lightning. Ranchers, their eyes on their cattle, drove off the road and overturned.

Everything seemed to end in blood. Bad Dirt The room she had shared with Shan was a room within a room. She was alone, there were no alien spacecraft in the sky. Looniness was possible, it could happen to anyone. The omniscient narrator reports entire conversations in a dramatic way, without clearly establishing if there is any focalization at play.

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Blurring the origin of the perspective onto the text, the narrative voice thus gives the impression that, like Ottaline, it has finally accepted the reality of the trickster-tractor. A possible reading thus suggests that the malevolent, neglected tractor may be responsible for the accident, keeping in mind that it claims earlier in the story to have intentionally killed one of the ranch hands. This hesitation between contradictory understandings of events is in fact in line with a second of the five characteristics Wendy Faris ass to magical realism Faris And indeed, the supposedly doomed spurs bring about bizarre phenomena, possibly ing for the sudden, violent deaths of its successive owners.

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Moreover, the main character, Car Scrope, seems to yield to some fatal attraction to the spurs, suffering from inexplicable migraines and behaving erratically as soon as he goes near them. The piglet one day tripped over the hem of the swaddling dress and was carried off by a golden eagle.

Singles in Wyoming, USA

She did not make the swaddling gown mistake twice, but fitted the chicken with a light leather jerkin and a tiny bonnet. The bonnet acted as blinders and the unfortunate poult never saw the coyote that seized her within the hour.

Singles in Wyoming, USA

Fine Just the Way It Is As a consequence of this unnatural diet, it has grown disproportionately, has metamorphosed into a degenerate, carnivorous plant and has started swallowing up animals and people. Therefore, if the beginning of the story seems to endorse skepticism, it gradually enforces supernatural laws, forcing the reader to suspend disbelief. Here again, this passage is told from an indeterminate perspective.

Singles in Wyoming, USA

There are many other stories where the magic cannot be doubted and comes on the same level as other, more realistic events. Paradoxically, it is the magic of the tea kettle that helps rationalize the otherwise miraculous apparitions of wished-for objects in the story. In the morning, suddenly remembering he must send his mother a happy birthday telegraph, Dirt Sheets wakes up and steals away before sunrise. Triggering a response half-way between laughter and disgust, dramatic irony here makes Grice the alazon.

As this example shows, the improbable and the magic in these stories often seem to sprout directly from a form of verbal magic, often for the sake of parody and satirical distortion.

Singles in Wyoming, USA

First presented as an old folktale, the fact remains that, as seen above, the narrative in the end embraces the magic of the story. However, the last disappearances in the story of first, detectives and then a botanist, ironically and metonymically represent the defeat of logic, reason and science in the face of magic, whether the magic of nature or fiction. This potentially autoreferential punch line works on several levels.

Singles in Wyoming, USA

Looking closer at the structure of this very short story indeed, both paragraphs contain one unusually long, very complex sentence, with the first paragraph focusing on Mr. Croom and the second on Mrs. To the displeasure of many a maiden, its enjoyment is short lived. Apply logic to this grim story and you will ascertain that it took place many years ago.

No husband of our age would be so terrible as to demand the impossible of his wife, nor would be such a jealous malcontent. Perrault Those hard days are finished. So he leaves the steer half-skinned there on the ground and he goes into the kitchen, but first he cuts out the tongue which is his favorite dish all cooked up and eat cold with Mrs. Searching in the distance, Tin Head can see:.

And all that distance Tin Head can see the raw meat of the head and the shoulder muscles and the empty mouth without no tongue open wide and its red eyes glaring at him, pure teetotal hate like arrows coming at him, and he knows he is done for and all of his kids and their kids is done for She could make you smell the smoke from an unlit fire.

In any case, it seems rather telling that it is the hearing of the lurid story of the half-skinned steer which should prompt Mero to flee the family ranch. Blending the codes of realism, the fantastic, and magical realism, the effects of such stories are often both horrific and comical, inducing ambivalent responses in the reader, caught between laughter and fear or repulsion.

These more comical, satirical stories casting the Devil and his demons as protagonists seem to have been born from fantasies set free by folklore, by postmodern lifestyle, and by the hellish living and natural conditions in Wyoming. This often implicit, autographic intertextuality between several stories of the three Wyoming collections produces a metadiegetic effect.

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Singles in Wyoming, USA

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